1960

Masuda-shi, Shimane birth

1983

Tama University of Arts oil painting department entrance to school

1984

University leaving school in midcourse

Tokyo National University of Fine Arts and Music picture department oil painting specialty entrance to school

1987

A European trip

1988

Tokyo National University of Fine Arts and Music picture department oil painting specialty graduation　Graduation production Daiwa Bank purchase

The No. 64 hakujitsukai exhibition first to go out product（Afterward every year）

Tokyo National University of Fine Arts and Music graduate school oil painting technique materials laboratory entrance to school

1989

A member of hakujitsukai selection exhibition　（Mitsukoshi　Nihonbashi92,94～96,98～）

1990

Tokyo National University of Fine Arts and Music graduate school oil painting technique materials laboratory completion

A private exhibition（Ginza　A Surugadai art gallery）

1993

From the trip of the painter Beautiful JR East exhibition（Tokyo station gallery）

1994

A too beautiful lie　A modern realism picture show（Mitsukoshi　Nihonbashi97,00）

Toshihiro Ohata exhibition（Ginza　Toho art）

1996

No. 2 A feeling exhibition of the beauty（Takashimaya　Nihonbashi An other 4 store）

A No. 1 Sesshu MASUDA art grand prix exhibition invitation

Noroyama art village　enter the village〔Kawashiri-cho, Hiroshima（Current Kure-shi）〕

Modern realism picture Institute start　Secretariat charge

〔A foundation member　Hiroshi Noda　Mitsuharu Sawada　Tsuyoshi Isoe　Yasuhiro Ogawa　Makoto Yoshikawa　Toshihiro Ohata Later　Fumihiko Gomi　Atsushi Suwa　Fumiaki Tsuchiya　Masashi Morinaga participation（Honorific title abbreviation）〕

The Tomiko Miyao original「The flower of the all over the world」Cut charge（Kochi Shimbun-sha・Other 7 publication）

An invitation exhibition with the modern realism（Korea　posuko-gallery）

1997

The Tomiko Miyao original「The flower of the all over the world」A Toshihiro Ohata cut original picture exhibition（Kochi Tokushima newspaper publishing company sponsorship）

The Tomiko Miyao original「The flower of the all over the world」A Toshihiro Ohata cut original picture exhibition（Mitsukoshi Nihonbashi　Around the others）

Tomiko Miyao and a talk（Kawashiri-cho synthesis Cultural Center）

TIAF Tokyo international art festival（Tokyo international forum）

1999

JADA exhibition（Ginza　A Youkyo art hall～01）

2000

The beauty to found a new century　A first exhibition（Takashimaya　Nihonbashi An other 4 store）

2001

Toshihiro Ohata exhibition（Kure municipal institution Museum sponsorship）

2002

A temporary exhibition　It is an exhibition as of realism, a thing of a realism picture（Nara is prefecturalArt museum sponsorship）

A private exhibition（Ginza　Toho art）

Tobiart fair（Tokyo art club）

Pont des Arts exhibition（Osaka　Gallery DAISEN）（Afterward every year）

2003

「Aesthetics of the existence」A modern realism picture Institute coterie exhibition（Takashimaya　Nihonbashi An other 4 store）（05）

voir exhibition（Nihonbashi　SHUNPUDO art gallery）（Afterward every year）

I give a lecture by the request of the Masuda-shi Board of Education（sekisei citizen of the prefecture Hall）

2004

I go out of the Noroyama art village

The Misumi municipality（Current Hamada municipal institution）It is a workshop in SEKISHO Museum

Writers exhibition of the Noroyama art village（Kure municipal institution Museum sponsorship）

2005

A ryoyonome exhibition（Mitsukoshi　Nihonbashi　Around the others）（07,08）

A Tomiko Miyao essay「I stare　Showa 80 years」Cut charge（The Mainichi Shimbun）（～08）

Modern realism picture Institute　An activity stop

2006

An instructor Tokyo National University of Fine Arts and Music art department oil painting specialty exhibition（Takashimaya　Nihonbashi）

A minatsukikai exhibition（Ginza　Sagami shop art shop）（08）

Portrait making of Mr. Diet member K（An exhibition in the Diet）

2007

A private exhibition（Mitsukoshi　Nihonbashi）

A No. 3 opening art business（Namegata city Tamatsukuri business and industry society sponsorship）（08）

Others

A private exhibition　A lot of group exhibitions

Now

Hakujitsu society committee

1994

A window of the monthly art「The person day of the wind uproar」It is carried an introduction article by Mr. Mamoru Yonekura writing

Art top October issue, November issue「The Perfect Bliss where the goddess is」An introduction publication

1996

Monthly art　「A dream is a prophetic dream」I introduce it, and it is carried by Mr. Mamoru Yonekura writing

1997

RCC broadcast（Television）A bulletin program of Hiroshima「Cheerful Hiroshima good very much」Appearance

1998

Chugoku Shimbun-sha「I pursue realism daringly」　An introduction publication

I appear for RCC radiobroadcast

NHK broadcasting station「The HIRUDOKI Japanese Islands」Appearance

A monthly art special feature「Rising writers of the art gallery street attention」An introduction publication

1999

RCC television transmission「A Saturday interview」Appearance

2001

A monthly art special feature「The latest generation of the go-getter realism」An introduction publication

2002

I appear to Hiroshima television

NHK educational television I introduce “the scenery of a certain fishing port” to the art museum on Sunday

It is carried the review of the private exhibition by an exhibition review　Hiroshi Shinohara writing

2003

It broadcasts it for RCC radiobroadcast for interview appearance four weeks

Others

An introduction publication majority

1988

A Hakujitsu exhibition exhibition product is carried by Asahi Shimbun art column

1989

I write it from an atelier publishing company「Motif=A face・A family」P3～P48

It is a work publication to a calendar for 90 years of マジョリ Co., Ltd.

1991

Monthly bauxar　March issue　A technique commentaryP26～P33

An atelier publishing company(Now Woman pictorial company)Writing「Motif=How to describe flowers」P58～P77

1995

TRAIN VERT　It is a work publication in April issue

It is a work publication to a calendar for Nikko metal 96 years

1996

Kochi Shimbun-sha other 7　The Tomiko Miyao original　A novel「The flower of the all over the world」Cut publication 180 episodes（～97）

1997

Illustration March issue「he flower of the all over the world」A cut publication

Kochi Shimbun-sha「The world of minute realism」Features writing publication

Graphic company「The feminine beauty that was drawn」A work publication

1998

The Tomiko Miyao original　「The flower of the all over the world」The picture making of the cover of the pocket edition

1999

A Maria bookshop「A modern foreign film」A publication（Afterward every year）

2004

Weekly shintyo January 29 issue「I see Miya-jima from Mt. Hiroshima ー Kogane」A publication

A window of the monthly art A June issue special feature　「New realism declaration」A work publication

It is a work publication to a calendar for Hogy medical five years（06）

2005

It is a Tomiko Miyao essay in the Mainichi Shimbun「I stare　Showa 80 years」Cut charge（～08）

A window of the monthly art July issue - December issue Mr. Mamoru Yonekura writing「A critical biography of Yoshiaki Tono」Cut charge

A window of the monthly art　July issue　「Realism VS. Contemporary art」A publication

It is an interview publication for Mr. Mamoru Yonekura to the magazine

It is a work publication with one first page color to Chugoku Shimbun-sha 40,000 memory paper

2007

It is a work publication in Ibaraki Newspaper

Others

A lot of work publications

1979

Chinese postal administration station one’s area of jurisdiction The Hikimishimo post office staff（～80）

1995

Asahi Culture Center　A lecturer（～96）

1996

Kawashiri-cho, Hiroshima（Current Kure-shi）Noroyama art village A member of art interchange（～04）

2000

Hiroshima City University art department　A part-time teacher（～04）

2006

Tokyo National University of Fine Arts and Music picture department oil painting technique materials laboratory　A part-time teacher（～08）

Conservatorium of the Myoko summer　A lecturer（Cooperation　Tokyo Tokyo National University of Fine Arts and Music）（～07）

1988

The No. 64 Hakujitsu society exhibition first exhibition　Hakujitsu Prize　A prize for Minister of Education encouragement

1991

A No. 65 Hakujitsu exhibition　T Prize

1992

91 Tokyo Central League oil painting grand prix exhibition invitation exhibition Fine work Prize

1998

A No. 4 Kanji Maeda grand prix exhibition　A fine work Prize party

2000

A No. 76 Hakujitsu exhibition　Mori Prize of the Marunuma art

2001

A No. 5 Kanji Maeda grand prix exhibition　Associate grand prix

2007

A No. 83 Hakujitsu exhibition　The Prime Minister Prize

It is a theme of the eternity what the human being goes ahead through to where for a purpose.
And art, the purpose of the art? The meaning?
I always think about it.

My work seems to belong to the field called “the realism” if I classify it
The realism is translated as “realism” in Japan; and as posture to express the situation of the reality world plainly generally.
I seem to tend I am visual, and to point at “a concreteness picture” such as the photograph in the picture.However, I include a meaning called “the reality” in words of the rial, and the category opens to “an abstraction picture” if I can include expression of the sense as mental “reality”.
I make much of mental real contents expressed by a visual, realistic expression method (realism), and I may be to be “an abstraction picture” in this sense.

It is common to pick an expression method and contents for the purpose of expressing mental reality in the world of the art, but to see it to a thing entering at “the model” in the seeking after truth mark that seems to be the martial arts and calligraphy; can leave for the mind from the skill and an action (an expression method).
Expression method itself called the realism becomes “a model” first because “realism” as the expression method wants to do it, and, in the case of me, it is it for a driving force to bring about value of the mind.
The work to copy all the visual phenomena obediently includes contents of the study in the act, and the mind situation in the process is asked.And accumulation of the small realization that was able to be similar shows expression contents and the purpose to me each time. It leads to the next drawing intention.
In other words that the act that is going to polish the skill leads to mental growth, and mental growth lets polish the further skill; repeat it, and the purpose is peaceful, and is harmony, and is healing. This may be to be the thing which can be called “even picture art of painting”.

My having both visual reality and mental real both sides of the expression use it for the pillar, but is an ideal method of the expression that past great masters demanded the act that is going to picture the essence of the motif in the cut end by a visual phenomenon from, and it in itself is not a new thing. It already seems to have been already lived on only the meaning exhaustively.
・・・However, I go over time, and the diversity of the masterpiece which past writers brought about goes over the space and continues attracting me.・・・
It is attracted in particular by a work produced for a Buddhist image and a Buddhist painting of the Buddhism, religion such as a sculpture and the fresco of the Christian church.（It thinks that it is not only me）In Buddha and posture called the blessing and anxiety, I feel space and some kind of human universal existence to find beyond time.To me, I have a feeling that there is the answer that “what is with the beauty” there.

I grope for the production of the picture which let I grow, and esprit called “the present age” work as a witness in the times while researching the universal value that does not change from the past to the future almost the Renaissance when I can bring back the Greece times not を pillar which “different”, “is interesting” and prevalent art to do to be “surprised” at just to say that I am merely new.Thanks for my Buddha and God and the feelings of the prayer are right “reality”.
I think about the influence that a work of art gives people and I pray for my work helping the human a little and draw it.

1983年

多摩美術大学油絵科入学

1984年

同中退

東京芸術大学絵画科油画専攻入学

1987年

ヨーロッパ旅行

1988年

東京芸術大学絵画科油画専攻卒業　卒業制作大和銀行買い上げ

第64回白日会展初出品（以後毎年）

東京芸術大学大学院油画技法材料研究室入学

1989年

白日会会員選抜展　（三越　日本橋92,94～96,98～）

1990年

東京芸術大学大学院油画技法材料研究室修了

個展（銀座　スルガ台画廊）

1993年

画家の旅から 美しきＪＲ東日本展（東京ステーションギャラリー）

1994年

美しすぎる嘘　現代リアリズム絵画展（三越　日本橋97,00）

大畑稔浩展（銀座　東邦アート）

1996年

第2回美の予感展（高島屋　日本橋他4店舗）

第1回雪舟ますだ美術大賞展招待

野呂山芸術村　入村〔広島県川尻町（現呉市）〕

現代写実絵画研究所発足　事務局担当

〔創設メンバー　野田弘志　沢田満春　磯江毅　小川泰弘　芳川誠　大畑稔浩のちに　五味文彦　諏訪敦　土屋文明　森永昌司も参加（敬称略）〕

宮尾登美子原作「天涯の花」挿絵担当（高知新聞・他7紙掲載）

現代リアリズムでの招待展（韓国　ポスコギャラリー）

1997年

宮尾登美子氏原作「天涯の花」大畑稔浩挿絵原画展（高知、徳島新聞社主催）

同（三越 日本橋　他巡回）

宮尾登美子氏と対談（川尻町総合文化センター）

ＴＩＡＦ東京国際アートフェスティバル（東京国際フォーラム）

1999年

ＪＡＤＡ展（銀座　洋協アートホール～01）

2000年

新世紀をひらく美　劈頭展（高島屋　日本橋他4店舗）

2001年

大畑稔浩展（呉市立美術館主催）

2002年

特別展　写実・レアリスム絵画の現在展（奈良県立美術館主催）

個展（銀座　東邦アート）

東美アートフェアー（東京美術倶楽部）

ポン・デ・ザール展（大阪　画廊大千）（以後毎年）

2003年

「存在の美学」現代写実絵画研究所同人展（高島屋　日本橋他4店舗）（05）

ヴォアール展（日本橋　春風洞画廊）（以後毎年）

益田市教育委員会の要請で講演（石西県民会館）

2004年

野呂山芸術村　退村

三隅町立（現浜田市立）石正美術館にてワークショップ

野呂山芸術村の作家達展（呉市立美術館主催）

2005年

両洋の眼展（三越　日本橋他巡回）（07,08）

宮尾登美子氏エッセイ「みつめる昭和80年」挿絵担当（毎日新聞）（～08）

現代写実絵画研究所　活動休止

2006年

東京芸術大学美術学部油画専攻教官展（高島屋　日本橋）

水無月会展（銀座　相模屋美術店）（08）

国会議員Ｋ氏の肖像画作成（国会内展示）

2007年

個展（三越　日本橋）

第3回オープンアート事業（行方市玉造商工会主催）（08）

その他

個展、グループ展多数

現在

白日会委員

1995年

朝日カルチャーセンター　講師（～96）

1996年

広島県川尻町（現呉市）野呂山芸術村 芸術交流員（～04）

2000年

広島市立大学芸術学部　非常勤講師（～04）

2006年

東京芸術大学絵画科油画技法材料研究室　非常勤講師（～08）

妙高夏の芸術学校　講師（協力　東京芸大）（～07）